Tag: restitution claims

Private collector claims innocence in restitution tussle

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A private art collector has vowed to defend himself against a restitution claim for a painting by Andreas Achenbach.

Wolfgang Peiffer lent a number of works from his private collection for an exhibition at the Museum Kunstpalast in Düsseldorf in collaboration with the Museum L8A in Baden-Baden. Among the loans was Achenbach’s ‘Sicilian Landscape’ (1861), which has been claimed by the heirs of Jewish art dealer Max Stern. After it was registered as a missing work by Interpol and on the German database lostart.de the painting was recognised by a researcher at the L8A exhibition. When New York’s Holocaust Claims Processing Office (HCPO) tried to contact Peiffer about the work he did not respond. Continue reading →

Gurlitt treasures returned to rightful owners

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Two works from the Gurlitt treasure trove of art have been restituted to the descendants of their Jewish owners.

A painting by Camille Pissarro and a drawing by Adolph Menzel are two of four works to have been returned to their rightful owners since investigations into the collection’s questionable provenance began in 2012. A German government team tasked with researching the Gurlitt collection have suggested that a further 91 artworks are suspected of being looted from, or sold under duress by Jewish families fleeing Nazi persecution during World War II.   Continue reading →

Sixteen-year legal battle over Pissarro painting returns to court

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In one of the longest-running art restitution disputes in the US, the descendants of Lilly Cassirer, who fled Nazi Germany with her husband in 1939, are fighting tooth and nail against Madrid’s Thyssen-Bornemisza Museum to reclaim Camille Pissarro’s ‘Rue Saint-Honoré dans l’après-midi. Effet de pluie’ (1897).

The Cassirer family claims that Lilly and her husband were forced to trade the £24 million French Impressionist work for their exit visas in order to escape persecution. The painting changed hands between numerous art dealers and collectors over the course of a decade before finally arriving in Spain in 1993. When the Cassirers finally found the painting in a museum catalogue in 1999 they requested its return. The Museum refused and the family filed suit, commencing legal proceedings which have ensued for the past 16 years. Continue reading →